Bristol: A tale of one city, two worlds

The LLF spotted these two contrasting jobs on the Bristol City Council website…

Festivals, Community Arts and Film Manager

  • Reference: 23103
  • Department: Corporate Services
  • Working Hours: Full time
  • Employment Type: Permanent
  • Salary: £35,430 – £38,042
  • Closing Date: 08 February, 2012
  • Location: Council House

 

In community arts, our work ranges from promoting dance projects to opening up empty shops as temporary arts venues – and to achieving benefits in terms of health, community development and regeneration, as well as helping grow Bristol’s headline artists of tomorrow. Our festivals team is behind small and large events across the city – none larger than our annual Harbour Festival, which in 2011 celebrated its 40th year with crowds of over 250,000. Our events licensing team has made Bristol the official ‘street party capital of England’ with more external events here than any other city council area (over 400 last year alone). Our film office team are the people who make it easy for TV and film crews to film in the city, bringing in millions of pounds to the local economy.

Social Worker

  • Reference: 23100
  • Department: Children and Young Peoples Services
  • Working Hours: Full time
  • Employment Type: Permanent
  • Salary: £25,472 – £30,851
  • Closing Date: 08 February, 2012
  • Location: Redfield

 

This is an exciting opportunity for a qualified Social Worker to join a well-established and experienced team working in the fields of long-term, short-term, kinship and private fostering. You will be required to supervise and support foster carers, undertake fostering assessments and annual reviews and present your reports to the fostering panel.

It’s always good to see what priorities we’re subject to.

Bristle’s Blog from the BunKRS: 2011 in review

WordPress.com very helpfully provides an automated ‘your blogging year reviewed‘ feature, which tells you what your traffic was, how many posts you made, things like that, as well as providing facile comparisons such as…

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 120,000 times in 2011. If it were an exhibit at the Louvre Museum, it would take about 5 days for that many people to see it.

What? No Wales-based scale? No football pitches or swimming pools?

Damn Yanquis.

Anyway, amongst the meaningless trivia the report mentions what the most popular posts here were, and what search terms brought in the punters.

I expected the ‘Chris Keller pissing in Oz‘ picture post to be the big draw (it normally is), but on checking it seems that little British actress Kate Ashfield has beaten big old Christopher Meloni!

Here’s the search stats for all things Kate Ashfield:

kate ashfield 27,067
kate ashfield nude 3,529
kate ashfield naked 2,280
kate ashfield hot 1,808
“kate ashfield” 447
kate ashfield pictures 366
kate ashfield sex 172
kate ashfield pics 170
kate ashfield boobs 144
kate ashfield photos 113
shaun of the dead liz 104
kate ashfield shaun of the dead 101
kate ashfield topless 101
kate ashfield flash 94
kate ashfield feet 80
kate ashfield sex scene 76
“kate ashfield” nude 73
kate ashfield tits 59
kate ashfield flashing 58

That’s 36,842 separate searches that got people here, based on a single post made in 2008 about a not-very-good sitcom from more than a decade ago, featuring screengrabs from a grainy VHS-to-AVI conversion. Go figure.

(Yes, I know I have mentioned this before. But at the time I didn’t know that this blog was on the first page of google results when you search on ‘kate ashfield’…Twice!)

Frankly, you people are insane. If you don’t believe me, then ask yourself how it was that 115 visitors found their way here via searches for either “medieval orgy” or “homemade dildo”.

“I’ve been to a few protests back in my day!” – shit the FBI says…

Courtesy of Will Potter at the anti-greenscare blog Green Is The New Red

G20 police witnesses revisited: PC Nick ‘T3′ Jackson – flaky at inquest, ‘courageous & professional’ at riots?

I notice from my visitor logs that someone arrived here today after searching for PC Nick Jackson.

Jackson, you may remember, was one of the cops right by Ian Tomlinson when he was beaten to the floor by TSG officer PC Simon Harwood at the 2009 G20 protests in London. Before his name became known I gave him an alphanumeric label (‘T3′) as I did with other police officers seen in video footage and still photos in order to better track their movements throughout the events surrounding the Tomlinson assault.

He was even called before the Tomlinson inquest last April – that’s two years after the G20 and all that happened there – to give evidence.

Curious as to the reason for the sudden interest in Jackson I reread the transcript of his inquest appearance.

In doing this I was quickly reminded of how easily Jackson became flustered under the mildest of prodding form cuddly QC Mr Matthew Ryder, who took him by the hand through his original witness statements.

Having originally claimed that Ian Tomlinson was some sort of threat to the assembled riot cops and attack dog handlers, Jackson was under the gentle coaxing of Mr Ryder forced to back-pedal, as this sequence from the end of his testimony shows:

  • Q. Other than the fact that Mr Tomlinson wasn’t actually moving as fast as you would like him to, he didn’t personally present to you in any threatening way, did he?
  • A. No, Mr Tomlinson wasn’t a threat.
  • Q. Mr Tomlinson wasn’t a threat?
  • A. Wasn’t a threat, no.
  • Q. You see, can I just come back to one small point we were mentioning earlier, which is about distinguishing between people?
  • A. Mm-hm.
  • Q. If you don’t distinguish between different types of people, then you don’t distinguish, as we heard, between someone who could be disabled or someone who is just trying to make their way home and innocently caught up in the middle of something. An older man, for example, moving slowly, trying to get home?
  • A. Yes.
  • Q. I don’t think anyone would dispute that was Mr Tomlinson’s position?
  • A. No.
  • Q. I suggest to you, Officer, if we are not careful about discriminating between different types of people, then there is a danger that, by treating everyone as a threat, you could be attacking the very people you are there to protect.
  • A. Possibly.

It would seem our Jacko is not an exemplar of common sense, reasoning, consistency or level-headedness under pressure.

But in light of the puzzling interest in the Level II-trained Fulham and Hammersmith constable, I googled him to see what he had been up to recently…

And lo, it seems that the G20 shenanigans – fatal assault right in front of him included – has not dimmed Action Jackson’s willingness to mix it up in hairy public order situations.

Last November a PC Nick Jackson received not one but TWO awards “for courage and professionalism” he showed during “serious disorder” at both the TUC march (M26) and at unspecified “student protests”.

But could this really be the same Fulham & Hammersmith PC Nick Jackson who witnessed two shoves, a dog bite and a baton strike on an unarmed, middle-aged man who, by the officer’s own admission, posed no danger to police, and might have been incapacitated or otherwise disabled?

The same PC Nick Jackson who despite seeing Ian Tomlinson brutally felled offered no assistance?

The same PC Nick Jackson who crumbled under the polite probings of a lawyer at an inquest?

Surely not!

It would, after all, beggar belief that Hammersmith & Fulham borough commander Chief Inspector Lucy D’Orsi would send a flaky doughnut-botherer like the G20 Jackson into the front line of anything too lively, given his lead feet and fast-unravelling Tomlinson testimony… Wouldn’t it?

So we must assume two cops in Fulham & Hammersmith share the same name and rank – it’s the only thing that makes sense.

In which case, perhaps CI D’Orsi could refer to her two Nicholi differently; Jacksons Minor and Major, maybe?

On cop-spies and paid betrayers (1): Doctor Bob Lambert & bloody McLibel

I haven’t properly blogged for a long time, but I have been following the #vancop situation, in its myriad guises, for a fair while, but have not had the time to put anything down. (Others have ploughed this furrow, I know, and ploughed well.) Today I found a moment to scribble something down…

I wonder if (former) Met spook Detective Inspector Bob Lambert (AKA ‘Bob Robinson’, Special Branch 1980-2006; infiltrated London Greenpeace 1984-1988; founder and head of the Muslim Contact Unit 2002-2007) knew any of the private spooks employed by McDonald’s to infiltrate London Greenpeace (1989-1991)?

 With a revolving door policy between NSY and the security offices of big business – and also the fertile environment for sharing or trading of information which that creates – it would be interesting to see from whence the roots sprang and whereto the branches grew.

For instance, McDonald’s security during the 1980s/1990s McLibel period (when two London Greenpeace activists, Helen Steel and Dave Morris, defended themselves against a lawsuit brought by the greasy clown’s boys) was run by ex-Met copper Sid Nicholson.

Nicholson was formerly a Chief Superintendent at Brixton; his number two at the McDonald’s Security Department was Terry Carrol, also ex-Met and an oppo from Brixton, before himself making Chief Superintendent at Carter Street. In evidence, Nicholson characterised his Security Department as “all ex-policemen“, and that ‘if he ever wanted to know information about protesters he would go to his contacts in the police‘.

A memo by Carrol from 1994 read out in court during the McLibel trial noted:

I had a meeting with ARNI [Animal Rights National Index, later grew into National Public Order Intelligence Unit/NPOIU] from Scotland Yard today who gave me the enclosed literature. Some of it we have, other bits are new.

Nicholson himself noted that he had “quite a lot of experience with Special Branch officers,” and that his first contact with them in relation to London Greenpeace had taken place at a meeting at McDonald’s HQ in September 1989.

After this meeting McDonald’s decided to hire two separate private detective agencies to spy on London Greenpeace, Bishops Investigation Bureau/Westhall Services and Kings Investigation Bureau.

Eveline Lubbers claims “at least seven [private] detectives” were embedded undercover in LG, from two different firms hired separately. (Some six of the paid informant-provocateurs are named by Lubbers, based on trial evidence published by McSpotlight.)

 From Bishops Investigation Bureau, there was Brian Bishop and Allan Clare. From Kings Investigation Bureau, there was full-time investigator Roy Pocklington (‘Tony’), ex-copper-turned-freelance nark Michelle Hooker (AKA ‘Shelley’), KIB secretary-cum-spy Fran(ces) Tiller née Davidson (‘Jan Goodman’), and one ‘Jack Russell’ (not thought to be the legendary Somerset wicket-keeper).

Hooker entered into a relationship (“a six month love affair“) with actual LG activist Charlie Brooke, which ended in mid-1991, when she left the operation – eight months after Maccy D’s served libel writes on five LG members for the ‘What’s Wrong With McDonald’s?’ leaflet.

 Clare admitted burgling London Greenpeace’s office, stealing documents, and carrying out illicit photography. Evidence he gave at the libel trial based on his claimed contemporaneous notes was found by the European Court of Human Rights to be not wholly accurate.

 The theft by McDonald’s-tasked private dicks was known to Nicholson, but he does not appeared to have been reported this criminal act to the police.

 Nicholson’s interest in London Greenpeace stretched back – on his own admission – to 1987, when first he saw the ‘What’s Wrong With McDonald’s?’ leaflet. Between then and his hiring of BIB and KIB in 1989, Nicholson personally visited both London Greenpeace’s postal address and an anti-McDonald’s Fayre at Conway Hall to try to ascertain the identities of those behind the leaflet, as well as tasking various McDonald’s Security Department underlings with the surveillance of London Greenpeace activists.

 But in his evidence he notes that “prior to the demonstration [of 21 October 1989] I was able to learn the identity of two of the organisers, Paul Gravett and Helen Steel.”

Let’s just recap: Between 1987 and 1989 Nicholson and his corporate security goons didn’t know who was in London Greenpeace; in September 1989 Nicholson meets with Special Branch. In October 1989 he knows the identities of two LG activists (both of whom would be served with writs). He then instructed the “two firms of enquiry agents” to further investigate London Greenpeace.

 In the course of the next two years at least seven spooks infiltrated the LG group on Nicholson’s behalf. Burglary, theft and other crimes were committed during the execution of this operation, to the knowledge in part at least of Nicholson. At least one private eye entered into an intimate relationship with one of the targets.

Collusion between police and the corporate security goons was such that in 1998 the McLibel Two defendants Helen Steel and Dave Morris went on the attack, and in 2000 won a £10,000 award and an apology from the Met in an out-of-court settlement for the disclosure by the police to McDonald’s of confidential information about them.

The case helped to expose how “police (including Special Branch) officers had passed private and in some cases false information about the McLibel 2 (and other protesters), including home addresses, to McDonald’s and to their private investigators

In addition to the award by the Met, a named officer, Detective Sergeant David Valentine, was also made to apologise for his own specific role. Finally, the Met was made to remind all police personnel across the Greater London area “of their responsibility not to disclose information held on the Police National Computer to third parties”.

On this victory against the Met Steel and Morris released a statement that resonates just as strongly more than a decade on:

At the eleventh hour the police pulled out of facing a case which would’ve demonstrated illegal police practices. In recent years there have been a number of publicised [sic] incidents of the police passing information about campaigners to private companies. It’s clear that their claim to be impartial defenders of the public is a hollow one. This collusion reveals the political role of the police in ensuring the wheels of big business keep turning. This case has forced the Met to warn all London police officers against such practices.

Which brings us full circle back to Bob Lambert, and a whole bunch of questions…

  1. After his exit from London Greenpeace in 1988 did any other undercover police officers either remain inside the group, or replace him?
  2. Did Special Branch pass on work product derived from Lambert (and possibly other cop-spies) to Nicholson, Carrol or others at McDonald’s, its Security Department or contracted external detective agencies?
  3. What was the nature of the relationship between Nicholson, Carrol and McDonald’s on the one side, and Special Branch and ARNI on the other?
  4. Were other police, security service or private sector agencies involved?
  5. Furthermore, just what was Lambert’s role at Special Branch between his exit from undercover work in London Greenpeace in 1988 and his role in setting up the MCU in 2002?

In view of that last question, we are told that whilst at the Special Demonstration Squad Lambert was responsible for Detective Constable Andrew Jim Boyling (AKA ‘Jim Sutton’), who was infiltrated into Reclaim The Streets via anti-GM and hunt sab groups in 1995, staying behind the lines until 2000.

Both Boyling and Lambert are accused of lying to courts to preserve their cover; both Boyling and Lambert duplicitously entered into sexual relationships with activists on whom they were spying; both Boyling and Lambert sired children by these women. Is this coincidence, or an indication of the nature of the training Lambert offered his protégés?

(It is also interesting that the woman with whom Boyling became involved was someone he met in the immediate aftermath of the J18 Carnival Against Capitalism – an event that Reclaim The Streets had brought off successfully right under the noses of the Met and the City of London Police – at an RTS meeting to discuss how it had all gone. This was four years into his infiltration of the environmental movement.)

Through his time at the MCU, and in his subsequent academic (and journalistic) work, ‘Dr Robert Lambert MBE’ has striven to be seen as a moderate, a progressive, someone keen to engage with Muslim activists to, in the words of a Demos report, “service the needs of grass roots Muslim community groups tackling the adverse impact of al-Qa’ida inspired terrorist propaganda at close quarters in London”.

Yet even in an article about the MCU and its work with communities in the January/February 2007 issue of Arches, a magazine of the Cordoba Foundation, Lambert links “the strategists behind 9/11″ to “the Russian anarchist Peter Kropotkin”. For someone with an intimate understanding of anarchist and anti-authoritarian political movements, that is an interesting parallel to draw.

An accident? A casual mistake? Or operational afterburn?

Four short years on from when he originally made that remark – and given his recent ‘little trouble’ coming out – that throwaway comment by Detective Inspector Lambert of the Yard (retd) seems better chosen, more deliberately chosen, and chosen for a reason. Our political movements aren’t infiltrated by the state for the fun of it.

Background on McLibel case

Useful resources

Articles and reports

Other notes

Edited 24/1/12 to add tags, correct typos & for style.

Edited 25/1/12 for another fucking typo.

Edited 26/1/12 to add ‘Jack Russell’ & tidy things up.

Gone Rogue! A brief journey through a youth misspent writing lists, and other Genetic Infantryman notes

Firstly, some sad news – it seems comic artist Brett Ewins (Rogue Trooper, Bad Company, Judge Dredd, Deadline etc) has been seriously injured after an incident involving the police.

Reports the Ealing Gazette:

Brett Ewins…received serious head injuries after stabbing a police officer on Saturday morning at his home in Cowper Road. An investigation by the Independent Police Complaints Commission (IPCC) is underway.

Police were called to Cowper Road after receiving calls about a man who had been shouting through the night. Officers arrived to find Mr Ewins holding a knife before they were attacked.

During the ensuing struggle, one of the officers received minor stab wounds and the 56-year-old sustained a head injury. Both were taken to hospital.

The officer was released from hospital but Mr Ewins remains in a serious condition at St Mary’s Hospital in Paddington. The Met informed the IPCC of the incident immediately…

(Tip o’ the titfer: Tony Ingram on the Comics UK forums.)

For me, Brett Ewins’ style represented a shift away from the more staid, traditional styles I was familiar with in the various UK titles of IPC and DC Thomson, and towards something more exciting, more anarchic, more… Well, just more, really. Plus his propensity for gurt big orthopedic boot treads was as instantly recognisable a trademark as Carlos Ezquerra’s cut-and-and-keep-style serrated outlines: much imitated, rarely bettered.

So regardless of the circumstances, I hope Brett makes a full and speedy recovery.

Of course, one of the big name strips Brett first made an impression on was 2000AD‘s future war story, Rogue Trooper. Whilst recently digging through some old cuttings files (a big hoarder, filer and lister I am, and long has it been that way – only after several years of ‘Mr Trebus’ jibes did I relent and dump the twelve foot high pile of unsorted newspaper clippings that I realised I would never really get through), I discovered some interesting notes I had put together when a wiry youth.

Okay, I was neither a wiry youth, and nor will many people find them interesting, but anyhow, they are notes I made whilst reading through Rogue Trooper stories in my 2000AD collection, including the monthly ‘Best Of’ title, annuals, specials, and Dez Skinn‘s Quality reprints. Essentially it’s a glossary of terms used in the Rogue Trooper universe – military slang, characters, plot points and so on. There’s even a bit on the rebooted Rogue ‘Friday’, which Dave Gibbons and Will Simpson had just made a start on when I originally put together these notes.

I post them up here as low resolution jpegs, and as a hi-res PDF; apologies for my barely legible script. The right-hand column indicates reference points: ‘QC’ = the Quality Comics reprints; ‘WS’ = 2000AD Winter Special; ‘SF’ = 2000AD Sci-Fi Special; numbers in brackets refer to The Best Of 2000AD Monthly appearances. All other references should be from weekly Progs, or clearly marked 2000AD annuals.

Oh, and the image at the top of this post is a scan of a quick doodle I made around the same time, which pulls together some of the great Nort/Souther emblems used in Rogue Trooper.








» Download PDF of Rogue Trooper glossary

A Week In Film #166: Cartoons and a remake

Up
Awesome Pixar CGI animated feature about an old guy, Carl Fredrickson, who decides to pursue the dreams of his childhood, after the death of his beloved wife. That dream involves lots of helium-filled balloons, a trip to Venezuela’s tepui mountain ranges, a Lindergh-esque explorer and his talking dogs (oh, plus a chubby little boy scout along for the ride).

By turns funny, sad and uplifting (well, you would hope so), a wonderful film (and my wee man agreed).

Rio
Boring Blue Skies Studios CGI animated feature about some exotic bird or other who ends up somewhere or other, but is then birdnapped or something, and has to do something to get back to somewhere, and learns something about life, or something.

About the only thing that held my attention was Jermaine Clement from Flight Of The Conchords as a villainous cockatoo, Nigel. Aside from that, very dull indeed (and my wee man agreed).

The Experiment
Frankly awful American remake of Oliver Hirschbiegel’s excellent Das Experiment, like the original a dramatic reimagining of the events of the Stanford prison experiment.

Prison Break creator Paul Scheuring directs flashily, but for some reason excises huge amounts of what made the original so powerful, adds pointless extra violence, omits characterisation, and manages to drop massive gurt plot holes all over the shop. Oscar winners Adrien Brody (all ripped torso and wet-eyed broodiness) and Forest Whitaker (his all-too-usual mumbling-and-blinking schtick) lead the cast.

Framed Documents #282: Back To The Future

…the night that I go

…time at 1:30 AM

you will be Shot by terrorists

Please take whatever

precautions are necessary

to prevent this terrible

Disaster

your friend

Marty

Marty McFly’s letter to Doc Brown from Back To The Future.

Framed Documents #281: Batman Returns

A couple of fake papers from Tim Burton’s Batman Returns – it seems the art department didn’t think to enforce a consistent house style across the Gotham Globe

PENGUIN — MAN OR MYTH

OR SOMETHING WORSE?

…and…

Penguin Forgives Parents

I’m Fully At Peace With Myself And The World

Wikipediaphile: Containerization [sic]

I can’t remember why, but I was recently reading up about containerisation (I can’t even blame it on series two of The Wire) – here’s what Wikipedia has to say on the matter…

Containerization (British:containerisation) is a system of freight transport based on a range of steel intermodal containers (also ‘shipping containers’, ‘ISO containers’ etc). Containers are built to standardised dimensions, and can be loaded and unloaded, stacked, transported efficiently over long distances, and transferred from one mode of transport to another—container ships, rail and semi-trailer trucks—without being opened. The system was developed after World War II, led to greatly reduced transport costs, and supported a vast increase in international trade…

I think I may have been interested in the decline of inland ports:

…Effects

Containerization greatly reduced the expense of international trade and increased its speed, especially of consumer goods and commodities. It also dramatically changed the character of port cities worldwide. Prior to highly mechanized container transfers, crews of 20-22 longshoremen would pack individual cargoes into the hold of a ship. After containerization, large crews of longshoremen were no longer necessary at port facilities and the profession changed drastically.

Meanwhile the port facilities needed to support containerization changed. One effect was the decline of some ports and the rise of others. At the Port of San Francisco, the former piers used for loading and unloading were no longer required, but there was little room to build the vast holding lots needed for container transport. As a result the Port of San Francisco virtually ceased to function as a major commercial port, but the neighboring port of Oakland emerged as the second largest on the West Coast of America. A similar fate met the relation between the ports of Manhattan and New Jersey. In the UK, longshoremen’s unions protested the change to containerization, resulting in the elimination of London and Liverpool as major ports. Meanwhile, Britain’s Felixstowe and Rotterdam in the Netherlands emerged as major ports. In general, inland ports on waterways incapable of deep draft ship traffic also declined from containerization in favor of seaports. With intermodal containers, the job of sorting and packing containers could be performed far from the point of embarcation.

A Week In Film #165: Quiet… Too quiet.

Oh dear – less than a fortnight in and a week without any films! Disgraceful.

Never forget our dead: Fred Hampton, RIP

Fred Hampton

Born, 30th August 1948

Murdered, 4th December 1969

Assassinated by the State.

Gettin’ High #015: Die Hard With A Vengeance

Simon says… It might be better than Die Hard 2, but Die Hard With A Vengeance isn’t a patch on the first film.

Framed Documents #280: In Bruges

  1. Being Moody
  2. Being bad at maths.
  3. Being Sad.

Ray (Colin Farrell) reads through that kid’s confession note in the flashback which explains why In Bruges is set in Bruges.

Framed Documents #279: In Bruges

Chloe Villette

+32 (0) 471 614982

Ray (Colin Farrell) examines the card given to him by the mysterious film production assistant (Clémence Poésy) in In Bruges